Carlos Trilha's key productions, arrangements, recordings and collaborations, from Renato Russo to Legião Urbana, from Gal Costa to Erasmo Carlos.
Erasmo Carlos's thirtieth album and first posthumous release, featuring his songs recorded by Gaby Amarantos, Marina Sena, Rubel, Emicida, Tim Bernardes and others. Trilha's second Latin Grammy in the category.
Reinterpretations of Jovem Guarda classics, never before recorded by Erasmo Carlos, under the artistic direction of Marcus Preto and produced by Pupillo Oliveira.
Renato Russo's first solo album, a live recording of an acoustic show in New York.
Renato Russo's most ambitious solo album, recorded entirely in Italian as a journey to the Legião Urbana frontman's family roots. It sold more than 1 million copies.
The last album Renato Russo recorded with the band, with a melancholic, dense atmosphere.
Carlos Trilha was the keyboardist on Marisa Monte's world tours: Memórias, Crônicas e Declarações de Amor; Universo Particular; Universo ao Meu Redor; and Verdade, Uma Ilusão.
Jerry Adriani's best-selling album of the 1990s: Legião Urbana's biggest hits, sung in Italian.
An original instrumental album that reconstructs manguebeat classics by Nação Zumbi using only an analog Minimoog.
A series of original compositions on analog synthesizers, sequencers and vintage drum machines. A solo project spanning more than a decade, brought to the stage in Synthesizer Concert No. 1.
An electronic medley of two tracks by Humberto Gessinger, the first remix of the former Engenheiros do Hawaii frontman's solo career.
In production.
